analect (
analect) wrote in
peopleofthedas2011-05-05 11:11 am
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OT: writers' comms, discussion & support
Okay, I'm aware I'm still A New Person here, but I'm curious. To those who write original fiction as well as fanfic: do you belong to any groups, comms, critique circles etc., and how differently do you treat your writing of fanfic to original material, if at all?
I realise this a pretty general question, but one thing that's really struck me over the past few months is how much of a community feel fanfic culture has, and it's something that I haven't seen anywhere I've ever been with original work. Is there a genuine difference, d'you think, or is it a matter of how individual communities and groups gel together? (There's a veiled community love-in thing here, btw. Just saying.)
I realise this a pretty general question, but one thing that's really struck me over the past few months is how much of a community feel fanfic culture has, and it's something that I haven't seen anywhere I've ever been with original work. Is there a genuine difference, d'you think, or is it a matter of how individual communities and groups gel together? (There's a veiled community love-in thing here, btw. Just saying.)
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The only way I could see that happening with original fiction would be if a group of writers created a fantasy world of their own, that they could all write within, and had fun with it. Otherwise there isn't enough commonality, is there?
Having said that, if you find a community of original fictions writers who have even a fraction of the bond we've created here, then please do let me know.
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And I will, if I do. I've had (occasional) contact with writers all under the same house who have this kind of familiarity - because we're all working in the same genres - but it never seems to carry over to any informal crit or discussion groups. Odd, really.
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I think, if anything, in my own experience, way too many 'professional' writers have a bug up their arses about 'looking' professional, so they're very guarded over the way they interact with anyone who isn't a sycophantic fan. Which is frankly silly, imho.
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I for one don't care much if others borrow ideas from my fanfic - how can I have something stolen that wasn't mine to begin with?
As for my original fiction, I do have a few projects, but I keep a close lid on them because other than my fanfic, those are very dear to my heart, and having those ideas and characters nabbed by a third party would really hurt. Same with my art - I have some old original pieces on devArt, but nowadays I only post my fanart there.
I see fanfiction and fanart as practice which I then profit from for my original stuff.
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Yes, there are some newbs who don't realize that it's more writing quality that differentiates works than ideas, and freak out about "OMG, my idea was stolen!" But there are also fanfiction writers who do the same thing. (I have heard so much "OMG, she stole my plot/she stole my idea!" in fandom, too.) And for every professional author who brags about Amazon.com rankings, there's a fanfiction writer who brags about reviews/hit counts.
So while there are definitely financial incentives for being a good original fiction writer (although they're fairly low, really. $0.05/word is...just not that much for a 2,000 word story that took months to write and polish), I wouldn't say that the competition is necessarily intense - nor that the world of fanfiction is devoid the same kind of rivalries.
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I'd agree it's a personality thing - there will always be drama queens everywhere - and I emphatically agree about the financial incentives. It's possible to make a living, but it isn't a good career plan.
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There will be drama queens everywhere. You can read pro-writer blogs to get an idea for what twits some are. (And, yes, I've seen a number of fanfiction writers freak out over people stealing their ideas. Carissa Claire stands out in my mind, but there are a large number of them.)
And the financial incentives are...rather low. I think that I've made like...$300 from writing. Which is about the cost of postage and the money I gave the agent I (briefly) had to copy things. Admittedly, I didn't publish that often (or in anything particularly prestigious). But...even if I was able to publish a story a month in something "big", that adds up to like...$2,400/year. (And novels would have advances that were similar, since I'm basically unknown.)
I think it's fair to say that this is not going to pay my bills any time soon. (And it's a lot of writing!) So it strikes me as kind of crazy to get bent out of shape over someone "stealing" your ideas or your story.
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Agreed on the costs vs. return. I rarely submit anywhere that doesn't do digital these days, simply because of postage (esp. international). And the actual amounts? I got a $300 advance for a novel last month, admitting accepted as a reprint. Won't know until next year how that actually balances to royalties with that particular press, but... yes. Not exactly high rollin'.
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Digital is definitely the way to go, although it does limit your market somewhat. But, yeah, even if it's digital, by then time you calculate the time spent writing + editing + submitting against the (typically fairly paltry) returns, you realize that your "business" is earning like...less than you'd make working minimum wage.
Even a lot of best sellers aren't exactly living the high life. Unless you're a Rowling or King or another mega-blockbuster, it's probably best to just be like "eh, it's a hobby. If it happens, it happens. But whatever." ;)
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Have to agree about digital, btw. I find, sticking mainly to niche genres like GLBT romance and erotica, there's a dedicated market there, but that in itself is confining. Rock and a... well, you know. So to speak(!)
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I think that the are advantages to digital, but there will always be a place for mainstream fiction that's been well edited. I'm not sure that it will always be print, but it's hard for me to see no one using publishing houses ever again.
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I used to be a member of a few comms for original writing (passively) - and the little childish wars beat everything I've ever seen, especially when it came to "why was this person's short-story in this anthology and not mine? Mine was way better..."
I learned to stay away from that kind of thing. Also, people on these comms aren't as supportive and helpful - it is very hard to find someone to beta your stuff, like, when you're writing in a foreign language. The so called "established writers" also tend to be very patronizing towards newcomers, no matter if they're good or not. There are exceptions, of course.
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There are some nasty writing comms out there. But there are also ones that pat you on the back and tell you how great you are. (And a very few that are in between.) It just depends on the comm, just as you get fandom places like this that are cuddly, and fandoms that delight in wank and flame wars.
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I think the difference in fandom really is sharing the sources, though. Especially something like DA lore that can be interpreted millions of different ways. We bond over that, and the work that comes out of that.
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Definitely a thread of consensus coming out about common ground as a prerequisite, which I think is interesting. Perhaps that's why so many crit circles, online or IRL, lack that openness and freedom and end up just being pats on the back. Maybe it's a way of thinking, rather than just specific links to shared experiences or source texts. Hmm....
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Do they have a great community? Yeah. Is it the same as fandom? Of course not, as we're not all obsessing over the same characters.
In some ways, this is great (i.e. you don't see your favorite character dragged through the mud by an author who hates him/her). In others, of course, it's a challenge. You don't have that "easy in" for understanding their worlds, OCs, etc. (It can also be cooler, as you get some really interesting OCs and worlds, but like in fanfiction, the quality of original fiction varies greatly, and...yeah, some are not so good with their characters and worlds, so it can be...kind of hard to understand what they're trying to write.)
That said, I've definitely felt a lot of love for the group. It's very supportive, people are excited when others are published, they buy each others' books, supply resources, etc. And Critters is a fairly large and anonymous kind of critique group. I'd imagine that (some) RL ones, or smaller ones on LJ are even more supportive. (Critters is a bit big for love ins and such, and the goal really is to create better writers rather than to offer love and support.)
I definitely treat original fiction differently than fanfiction. For one, my original work is *much* more polished. I've revised original stories as many as 15 times. I've revised fanfiction like...at most...5 times. In addition, I'm far more likely to delete a not so great real story as a not so great fanfiction story. If I sort of like a fic, but am not enamored of it, I'll throw it away if it's original fiction (as I don't want it to be published and later hurt my chances of publishing anything else because it sucks), while I'll often throw up sub-par fanfiction as, quite frankly, people often care more about pairings and characters than much else, so will appreciate it even if it technically sucks. (This is triply so for kmeme pieces, which are anon to boot. I've written some wretched stuff there.)
In addition, my real fiction tends to be more plot driven and less character driven. It also tends to be more unique. Incredibly derivative stories that are loved by fans often don't do very well by original fic standards, so I write with that in mind.
So, yes, they're very different worlds for me, despite that I write in both as a hobby.
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Interesting about plot/character. My plotting generally sucks, because everything I ever do is dictated by the fully three-dimensional, utterly real people who live in my brain and yell at me (and this is the part where you all back away slowly, not making eye contact...), meaning I write in a totally character-driven way that I then hack up and shovel around until I'm happy with it. I'm finding that's as true for fanfic as original, but with the added bonus of generally having someone else's plot framework to lean (lazily) on. It's a lovely rest.
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Plot is really critical for original fiction. (And really doesn't seem to be for fanfiction, for whatever reason.) So it's good to work on that. Without a strong plot and hook, it's really, really hard to sell anything. (Character driven work rarely does well commercially...*sigh*) But, you know, plotting is a skill like anything else! You can develop it!
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The lazy aspect is having someone else's world to write in, that I don't have to construct from scratch.
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Sometimes I do wish I could talk here in the comm about non-DA matters.
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I'm game if you are, m'dear. No idea how to actually do it, but willing to learn!
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I guess the short version is I love them both, though they serve different purposes for me. =) But the fic-community feel is possible with original work too, I think.
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Also, I will have to check out this cupcakes and nutso fairies world of which you speak.
I think I'd have to agree; there's so much room in fanfic to experiment and hone in on certain areas when you're writing, because pretty much whatever you do, you're still within the same broad framework of sources. Maybe that's what makes it feel like more a sandbox - and a friendlier, more welcoming sandbox, perhaps - than trying to hammer out the same ideas in original fiction. If that makes sense.
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Betareaders forever!
And yep, makes perfect sense. Fanfic is an excellent place for going "Gah, these writing skills of mine are weak, I shall HAMMER ON THEM until they're good!" and have fun while doing it. Plus lots of people who are obsessed with the same things I'm obsessed with. Rock.
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I belong to two wonderful writers groups,(one more geared toward the business aspects of writing, and the other (a critique group which includes some members of the other) which focues on the love of craft. Both have wonderfully supportive people, and while we've had a bit of recent drama with some new members, most of us get along pretty well.
I think one advantage of fanfiction is that you can get almost immediate feedback on how people view a story. Something, that seems much harder to come by from original work that's published. Well, in theory, anyway. I've seen some great stories on fanfic that get hardly any reviews, which has to be a bit discouraging to the writer.
As far as writing is concerned, I don't try to treat my fanfic any differnt from my original work in terms trying to write the best story I can. In some ways, writing fanfic is easier since the world and it's 'rules' are already set-up. You know how magic is supposed to work, what the prevailing philosphies seem to be, the political/religious framework, etc. In other ways, it's more challenging, writing charcters so that they're 'in-character', yet have your own stamp on them.
I've used fanfic to experiment a bit with style and structure. And I like the idea of being able to do short, little character pieces that don't really have a plot, but let you get inside someones' skull to explore their feelings and opinions on an issue.
As for how groups/communities gel together, certainly a broad base of shared experience is crucial. But also, I think, is how the various personalities all mesh together. (Not to mention, that acting like mature adults helps, too.)
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And hear, hear on mature adults! Oh, that would be nice.
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